New york City- I don't exactly remember the year... But it was about 1985-6 or so. The first R68 (Graffiti-proof) train was being tested on the A line. I actually took a trip to the A line to scope out my new canvas... Cause I knew I had to be the first motherfucker to hit it.
I spoke to Reps KD LOB today and he really got me thinking about the past. I started thinking about friends that are no longer with us today and regrets. I first hooked up with Sane at Henry's studio (84-85) and we went to 175th a few times and I took him to Ocean Parkway and Sheepshead Bay. He took me to the 1 line in and out spot near South Ferry (those that know... know LOL) and then I pretty much stopped fucking with transit for a bit (about 86). Then we started painting walls together in all 4 Boros (SI don't count LOL). I was chilling at his house, his mom inviting me for dinner, staying up all night doing blackbooks... Yo, for real, he was my best friend at the time. We would go to Case2's crib, racking, blah, blah, blah.
TATS CRU artist Hector (Nicer) Nazario was inspired to make art about the innocence of childhood after his 22-year-old son was shot to death last year.
THREE heavyset guys armed with aerosol canisters have their boombox tuned to a ribald talk-radio show as they transform a grungy section of wall in Long Island City, Queens, from a peeling mess to a psychedelic swirl of letters spelling out their names. The opposite of furtive, these tattooed artisans laugh as they brandish spraypaint cans for an audience of curious passers-by. Tagging may be illegal in New York, but not on this extraordinarily colorful industrial block beneath the shriek of the No. 7 subway line.
NYC Transit’s Eagle Team focuses on railyards, allowing the NYPD to focus on stretches of elevated and underground track where trains are stored during off-peak hours. The successful effort has cut graffiti-removal costs. The tab was nearly $340,000 in 2007. The cost was nearly $140,000 last year.
“Graffiti came above ground in a lot of ways in the 80s,” explained Suerte, sitting in Brooklyn Tattoo, which sits adjacent to the gallery.
The exhibition features widely celebrated graffiti artists from that time – DANCE, REBEL, NEST, KEO, POET and SNATCH to name a few – many of whom began in Brooklyn, and whose work defined the style of 80s graffiti – an era which Suerte calls a “second renaissance.”
Decades before graffiti became widely accepted and art-world legitimized, it was, primarily, deemed vandalism. In the 80s, New York City began cracking down on this “underground” graffiti (when it had been all about the artist getting into subway tunnels), and consequently graffiti began rising to the streets - to city handball courts and to rooftops.